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If you regularly take product pictures for your business or you want to pursue fine-art photography seriously, you may want to build a dedicated staging area for shooting your still-life projects. I shoot most of my still-life pictures in my guest bedroom, so I designed a stage that can easily be disassembled when company comes. Shown in Figure 4.1, this setup involves nothing more than adjustable shelving brackets and supports, a pair of white melamine boards, a curtain rod, and some clip-style curtain rings. Total cost: less than $50 and one trip to the hardware store. Simple as it is, this arrangement offers all the versatility I need. The shelving supports are 48 inches tall, allowing me to raise or lower the base platform to get the camera angle I want. The white boards serve as a good backdrop for many product shots, but if I need a colored background, I just clamp poster board or matte board from the art-supply store to the melamine boards. (To prevent the vertical board from accidentally falling forward onto whatever I m shooting, I run a length of cording through screw eyes along the top and tie the cord to the curtain-rod brackets.) For shots that require a fabric background, I take down the vertical board and hang the fabric from the curtain rod.

Summary

If you want something more sophisticated, several companies offer commercial solutions for still-life photography. Figure 4.2 shows one such product from Smith-Victor (www.smithvictor.com). Dubbed the TST Digital Desktop Studio Kit, this outfit includes the shooting table and frame, clear and white Plexiglas panels, two lights, and dimmer controls. The kit retails for about $450 and is sold through professional photography-supply stores.

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Well, another piece of the Ajax puzzle has been put into place. As you continue through this book, you will continue to steadily build upon the core ideas. Now that you have form submission, dynamic server requests, and client-side JavaScript under wraps, you have a rather large repertoire of knowledge that you can use to perform some valuable functions. By allowing the user a way to interact with both your client-side and server-side technologies, and then confirming the data being passed to each, you have opened a door that will allow you to move ahead with some of the more fun and advanced Ajax methodologies. There is one last set of functionality that should be discussed before you are ready to start doling out some intriguing applications: images.

FIGURE 4.2 This commercial still-life kit includes a pair of lights and interchangeable base and background panels.

suppose that it goes without saying that one of the more annoying, yet necessary, aspects of browsing a web site using a slow Internet connection is waiting for images to load. While text-based web sites can display instantaneously (or seemingly so) on any Internet connection, images must be downloaded in order to be viewable. With the advent of high-speed Internet, this issue has become less of a problem, but images still require time to display. Nonetheless, images are indispensable to the user experience, and therefore, as web developers, we re tasked with minimizing the negative aspects of image loading. Thankfully, through concepts such as Ajax and scripting languages like PHP, we now have a much more robust set of tools with which to deal with imaging. Through Ajax, we can dynamically load and display images without the rest of the page having to reload, which speeds up the process considerably. We also have more control over what the user sees while the screen or image loads. Users are generally understanding of load times, provided that you let them know what is happening. Through Ajax and a little PHP magic, we can help the user s experience be as seamless and enjoyable as possible. Throughout this chapter, I will be going through the basics of uploading, manipulating, and dynamically displaying images using PHP and Ajax.

Just as the right clothing can make or break a portrait, the background you use for a still-life picture can enhance your subject or detract from it. Consider the computer cable shown in Figure 4.3, for example. When you re working with a subject that seems visually uncompelling at first glance, your initial instinct might be to use a patterned backdrop to add some interest to the scene, as I did for this image. But rather than enhancing the image, a busy backdrop just draws the eye from your subject. For a better result, switch to a plain background FIGURE 4.3 A busy backdrop doesn t and think more creatively about your composition. make a plain product For the cable image, I decided to play off the idea more interesting it that computer cables are often described as snaking only grabs attention around the office. I from your subject. fashioned the cable into a shape that resembles a coiled snake, as shown in Figure 4.4, anchoring the head and tail in position by using transparent plastic thread tied to my curtain rod. The dark black background provides dramatic contrast to the cable without being distracting.

7.9 Which of the following are expressions in XSL a. Pattern b. Function call c. Match d. Select e. All of the above 7.10 These are all FOs. True or false

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